Arts Collaboratory

(I have posted the same in the forum last week) I am writing this to clearly record why I consider Artscollaboratory (hereafter AC) is important to me. I must first say that I see the AC as a forum, where different/differing dialogues can interact making it a space for critical ideas and debates initiated and led by artists-led-initiatives from Asia, Africa, and South America. In that sense AC as a forum acknowledges that what we have to say about art and art practice as artists (not as curators, or art theorists, or art historians) is important. Secondly I also see the AC as a network, since the initiatives and artists we encounter at the AC will naturally acquire characteristics common to a network.

The most important aspect that makes the AC an important development for contemporary art scene of our regions is that it offers us a space/ funding to conceptualize our own art projects, and curate our own exhibitions. I think, at least when looking at the globalized art scene of our regions which is managed/ manipulated or steered/ directed mostly by the 'superior others', this is a major development for the assertion of the agency of the artists.

When I write these thoughts on the AC, I am also aware that any forum/ network has its own limits and constraints. It is true that this is a forum proposed to us by HIVOS-DOEN-MONDRIAN FOUNDATION, and it is also true that these organizations have their own larger goals and aims, and further, it is also true that these institutions are made possible within the state policies of the Dutch Govt. This is a reality that which I accept, and understand. I can NOT imagine of any foundation/institution that is not bound by this reality or a one similar to this. However what is uniquely important is that the AC is clearly a discursive forum, where we make our programs/ projects within broader outlines suggested by the funders. For me 'knowledge sharing' or 'cultural management' as program titles are as wide as the blue skies.

Since AC is a at its early stages, and that, as I see it, has an experimental edge, it needs time to take its form and shape that will fit with its internal dynamics. I hope I have presented my thoughts clearly.